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Aug 2012 brings another safari to Tanzania.  This safari will feature the all of the highlights of Tanzania.  From the elephant rich Tarangire National Park to Ngorongoro Conservation Area and the famous Serengeti National Park.  This safari gets it all including the northern area along the Mara River.  If you are interested, check out all of the details here.

It has been a cold snowy past week (actually last week) in the Seattle area.  On the heals of this, the 48 hour flu ht me right between the eyes, just as I was planning to travel to San Diego to do some nature photography.

On my mind these days is my next safari in March.  I’m leading a private safari focusing on Wild Dogs and Rhinos in Kenya.  Operating exclusively in private conversation areas, off-roading and foot tracking will be the order of the day as we strive for outstanding up close and personal photography of these wonderful subjects.  We will also be spending time with a local Samburu Village for some wonderful travel shots.  Below is a shot from my recent trip to the Mara Plains area.  Place this in Google Earth to see where the image was taken at:

1 24.12921S, 35 8.3947E , elev 5182ft.

Drinking in the Mara

Nikon D3s, 200-400 VR @ 200mm, ISO 320, f/8 at 1/320 sec

Cheers and happy photoing.

 

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A setting sun and the majestic Mount Kilimanjaro in the background with wonderful cloud formations and not an animal in sight; what’s a guy to do?  Looking around the parched river bed, I located the skull of a Wildebeest and decided it was going to be the best that I could do.  I placed the skull in an angle that would throw nice shadow off to the left with the setting sun over my shoulder.  After the shots were taken, everyone decided to name our find Fred.  Fred found his way onto the front of our jeep, going everywhere we went for the rest of the trip.  Clearly we were in good hands with Fred on guard.

Our Man "Fred"

Nikon D3s, 24-70mm @ 50mm, ISO 400, f/8 at 1/80 sec, spot metering mode, EV-2/3rds.

Cheers and happy photo’ing

Lightroom 4 Beta

Another week of announcements:  The long awaited Lightroom 4 Beta is out and can be downloaded over at Adobe Labs for those of you that are willing to accept working in a Beta environment.  If you decide to download and install this Beta, please be sure to read all of the fine print associated with the using the Beta (there is always some level of risk in using Beta software, so plan accordingly).

After a fast review of the new features in LR4 (Beta), I can once again say that Adobe has done things right!  Several of the new features in LR4B are ones that I have been hoping to see in LR for a long time.  The most critical improvements for me include a local development brush that has gone crazy with enhanced adjustments,  the ability to create photo books directly from a dedicated module, a wonderful soft proofing capability as well as the ability to match your print brightness and contrast to that of your monitor, tonal adjustment controls are designed to extract the entire dynamic range from cameras for shadow details and highlights, and enhanced support for video including the ability to develop the video.  Lastly, there is a wonderful way to now email images directly from Lightroom using any email account, including Gmail, Hotmail, and Yahoo! Mail. All pretty slick, if you ask me.  If Adobe sticks to their normal release schedule, I would expect to see LR4 ready to release in late spring or very early summer.  Yes, I’ll be standing in line.  Meanwhile, spend some time over at Adobe Labs or over at National Association of Photoshop Professionals’ Beta Launch Center.

Cheers and happy photo’ing.

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Nikon D4

The much awaited Nikon D4 was announced last night (Pacific Time) and if the specs pan out, this will be a killer camera.  With the D3s as my primary work horse, I have come to rely on the high speed capture rate (frames per second) and the second to none low light noise free shooting.  I can’t tell you how many times this camera has saved my bacon when it comes to shooting in the low light conditions of first or last light of the day.  Night city-scapes are also a breeze when shooting with the D3s.  In reading the specifications of the D4, it looks like nothing but a GRAND improvement over the D3s and I simply can’t wait to get my hands on one.  As soon as I run this camera through its paces, I will report back with my observations.  With any luck, I will own one of these before my trip to Africa in March.  Meanwhile, you can read about the D4 over at B& H Photo.  And now, here is the D4 with an estimated price of $6,400 US – OUCH.

Nikon D4

 

Happy Holidays to All

I’m going to be taking a couple of weeks off, so no (or limited) posting for the next two weeks unless I sneak a photo or two in.

Meanwhile, some exciting news:  I will be leading a photo safari for the Smithsonian into Tanzania next December.  This will be an exciting adventure and will put me in the bush for Christmas for the first time.  You can read about December Smithsonian Photo Safari here.

On each safari, I always learn  from things that did not go as planned.  All of the items below have funny stories,  for the most part,  to go with each entry.  Just let your mind wonder and I am sure you can conjure up images to go along with tag lines.  If you are on a future safari with me, be sure to ask about any of these.

  1. When your taxi driver does not speak English, Swahili, or Arabic and you do not speak Hindi, there is a very good chance that you will not arrive at your desired destination without of lots of effort (rush).  No, I’m NOT going to learn Hindi (Dubai).
  2. Dropping your Nikon 14-24mm lens on asphalt in the middle of the night….yes, the open bag hot air syndrome again…Ouch.  Bounce went the Nikon and off to Melville for repairs upon my return (Dubai).
  3. Letting the driver put your camera gear in the back of the bus (should always go on your lap).  The transfer drivers always want to be most helpful however, lots of bags moving around in the dark of night made for unnecessary risks (Kenya).
  4. Hyperdrive transfer with the new Delkin 16GB COMBAT Drive (could not read the CF card) – needs a firmware fix. Lexar cardreader could read the card.
  5. One day delay from United caused us to miss several planned photographic opportunities in Dubai.  Better to have a 6 hour overlay and make the connection than to have a two hour overlay and miss an entire day and night of travel.
  6. Moving camera equipment from hotel room to conditions of high humidity and high heat, serious fogging.  Need to allow plenty of time for temp changes between shoots (Dubai).
  7. Do not surrender your camera bag to hotel staff (Dubai, Kenya) ;   they don’t understand your investment.  God gave us shoulders to carry our camera gear.

That’s the very last trip update for this past trip, yes is has taken some time to get to here.  What a great adventure and most importantly, a fun time was had by all with plenty of stories to go around.

 

Cheers and happy photo’ing.

Photo of the Week

A very early morning on the Mara Plains with sun kissed grasses and balloons in the air.

Nikon D3S, 24-70mm @ 65mm, f/6.3, ISO 800 at 1/200 sec, 6 images stitched together.

Cheers and happy photo’ing

Shallow F-Stop Usage

I almost always shoot in aperture mode, as it allows me to control the depth of field or zone of focus.  I use this technique to control what the viewer “sees” in my photograph or to call attention to a particular part of the image or to isolate the primary image from the foreground or background.  Combing this technique with the image compression of a telephoto lens, one can really start to isolate the subject.   In the image below, I used a wide open aperture on a 200-400mm zoom set at 310mm and focused just in front of  of the cheetah.  Focusing in front of the Cheetah allowed me to keep the first cat in crisp focus while allowing the second cat (only three feet behind the first one) to go past soft focus and begin the transition into the blurred background.  The result is a tact sharp cat in the foreground with a pleasing out of focus background, yet showing enough detail in the second cat to maintain interest.  Having shot with the 200-400 for a number of years, I am pretty good at guessing the hyperfocal distances (I’ll save that topic for another post) within my normal shooting ranges.  Like most shots, when you take your time and make use of your knowledge, you will increase your chances of walking away with a solid image.

Outside of the Massai Mara Plains, two brothers on alert.

Nikon D3S, 200-400mm VRII, set at 310mm, 1/320 sec, f/5.0, matrix meeting, aperture priority

Cheers and happy photo’ ing.

 

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