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The importance of good file naming simply cannot be under estimated. Right out of the camera, a Nikon file name looks like _DSC1024. I don’t know about you, but that file name tells me nothing about the image other than it was taken by a Nikon camera. The file name does nothing to tell you when or where the image was taken. As I Lightroom (LR) user, I have come to use a particular naming convention that supports rapid searches and easy client review. For folder names, I use dashes between names. My typical file name might look like this: Serengeti-Aug-2011. Located under a major file of Africa, followed by Tanzania, I now have a great idea of where and when any particular image should be filed or where I can look for something particular. For a file name, I always use underscores as separators (this allows me to work around a little quirk in LR). Incorporating the date, camera, and sequence number, a typical file name might look like this: 20120111_D3x_0199. This tells me that this image was shot in the 11th of January, 2011, with my D3x, and is the 199th image of that set. Of course, separated from the file structure, I have little information about the image other than the date, time and camera. I am almost always shooting with two camera, or more, while on safari. This mandates one or two approaches: if the camera bodies are different, I will let the downloader program insert the camera model. If I two of the same bodies, I will have the downloader program insert a value for the camera based on the camera serial number. Another method that I have seen used is the use of a job code placed somewhere in the image name. This job code could be a location or any other important information that helps with the identification of the file. My use of the job code might look like this: 20110111_D3x_Serengeti_0199. Now I can tell a great deal about the image just from the name and without having to look up the XIF and GPS data. Both of these approaches will avoid file name duplications and sets me up for some pretty good file management. The lesson here is to take time to figure out what file naming convention works for you and to use your naming convention consistently in all that you do. I would recommend that you approach this from two different levels; what do you want your file structure to look like, and then again your file name. Both of these go hand-in-hand and are critical to the organizational structure of your photo file system. Toss in a solid key wording structure and you can now find just about image you need to find in very short order.

For downloading, I use Downloader Pro (DLP), because of it’s wonderful re-naming capabilities upon import and it’s ability to keep track of what you have downloaded. While LR can do much of the renaming on import, it is far slower than DLP and not nearly as robust. For more details on DLP, check out the products link at Breeze Systems.

That’s it for file naming, so Cheers and happy photo’ing.

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Nikon D3s, 200-400 f/2.8, ISO 2500, f/6.3 @ 1/320 on tripod, metered on the sky plus 1.0 EV

This image was taken here.

Cheers and happy photo’ing

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Free Eyepiece + Free Gear with Every Rain Cover

I traveled to Ocean Shores Saturday to photograph the 13 year occurrence of Snowy Owls into this area. In between a slight mist and a little bit of ocean spray, the camera rain cover by Think Tank is just what I needed. Due to my procrastination, my Hydrophobia lens cover for my 200-400 had not arrived. My bad, and it wont happen again. Think Tank, I love their products, is offering a free eyepiece (for a limited time) with either of their two models of the Hydrophobia.  Just click on the banner above to be taken to this special offer.  Meanwhile take a look at what it takes to photograph in damp weather without a Hydrophobia.

Me and the D800

Well Folks the long awaited and source of many rumors, the D800 is finally out.  Available with and without the anti-aliasing filter; consumers should start to see these cameras late March or April, depending upon who you are listening to.  No doubt in my mind that this camera, along with the D4 will be a game changer for Nikon, it is not for me.  While the 36 mega-pixel is of some interest to me, let me summarize what is going through my mind in regards to this camera and why I am not going to jump on the bandwagon – at least for a while.

  • I already own a D3x, and at 24.5 mega pixels (mp), and jumping to 36mp is not that much more of a jump when everything is considered.
  • From everything I have read and the photos that I have looked at, it appears to me that the low ISO is no better than the D700 (already own one of those) or the D3.
  • With my current Nikon kit being made up of D3x, D3s, D700, D300, I have been able to standardize on cards, batteries and chargers.  When comparing the D3x and D3s, the menus and controls are nearly identical, thus less mental hoops for my old brain when shooting in the heat of the action.  Furthermore, when on safari, standardization means less equipment to bring (weight can be a challenge), and less equipment involved in creating redundant systems.

For those wanting to grab one, Nikon Rumors reports that production is in full swing.  Referencing a new release from the Malaysia International News Agency, Berma.com, production from the Sendai facility is set to produce 30,000 D800 and 5,000 D4 bodies per month.  This is great news for everyone that has been waiting in the wings for several years for the next generation Nikon.

One question that lingers in my mind:  Will the increase in mega pixels drive the medium format (Hasselblad and Phase One) prices down a bit?

Just my thoughts on the matter…….

Cheers and happy photoing.

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It has been a cold snowy past week (actually last week) in the Seattle area.  On the heals of this, the 48 hour flu ht me right between the eyes, just as I was planning to travel to San Diego to do some nature photography.

On my mind these days is my next safari in March.  I’m leading a private safari focusing on Wild Dogs and Rhinos in Kenya.  Operating exclusively in private conversation areas, off-roading and foot tracking will be the order of the day as we strive for outstanding up close and personal photography of these wonderful subjects.  We will also be spending time with a local Samburu Village for some wonderful travel shots.  Below is a shot from my recent trip to the Mara Plains area.  Place this in Google Earth to see where the image was taken at:

1 24.12921S, 35 8.3947E , elev 5182ft.

Drinking in the Mara

Nikon D3s, 200-400 VR @ 200mm, ISO 320, f/8 at 1/320 sec

Cheers and happy photoing.

 

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A setting sun and the majestic Mount Kilimanjaro in the background with wonderful cloud formations and not an animal in sight; what’s a guy to do?  Looking around the parched river bed, I located the skull of a Wildebeest and decided it was going to be the best that I could do.  I placed the skull in an angle that would throw nice shadow off to the left with the setting sun over my shoulder.  After the shots were taken, everyone decided to name our find Fred.  Fred found his way onto the front of our jeep, going everywhere we went for the rest of the trip.  Clearly we were in good hands with Fred on guard.

Our Man "Fred"

Nikon D3s, 24-70mm @ 50mm, ISO 400, f/8 at 1/80 sec, spot metering mode, EV-2/3rds.

Cheers and happy photo’ing

Lightroom 4 Beta

Another week of announcements:  The long awaited Lightroom 4 Beta is out and can be downloaded over at Adobe Labs for those of you that are willing to accept working in a Beta environment.  If you decide to download and install this Beta, please be sure to read all of the fine print associated with the using the Beta (there is always some level of risk in using Beta software, so plan accordingly).

After a fast review of the new features in LR4 (Beta), I can once again say that Adobe has done things right!  Several of the new features in LR4B are ones that I have been hoping to see in LR for a long time.  The most critical improvements for me include a local development brush that has gone crazy with enhanced adjustments,  the ability to create photo books directly from a dedicated module, a wonderful soft proofing capability as well as the ability to match your print brightness and contrast to that of your monitor, tonal adjustment controls are designed to extract the entire dynamic range from cameras for shadow details and highlights, and enhanced support for video including the ability to develop the video.  Lastly, there is a wonderful way to now email images directly from Lightroom using any email account, including Gmail, Hotmail, and Yahoo! Mail. All pretty slick, if you ask me.  If Adobe sticks to their normal release schedule, I would expect to see LR4 ready to release in late spring or very early summer.  Yes, I’ll be standing in line.  Meanwhile, spend some time over at Adobe Labs or over at National Association of Photoshop Professionals’ Beta Launch Center.

Cheers and happy photo’ing.

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Nikon D4

The much awaited Nikon D4 was announced last night (Pacific Time) and if the specs pan out, this will be a killer camera.  With the D3s as my primary work horse, I have come to rely on the high speed capture rate (frames per second) and the second to none low light noise free shooting.  I can’t tell you how many times this camera has saved my bacon when it comes to shooting in the low light conditions of first or last light of the day.  Night city-scapes are also a breeze when shooting with the D3s.  In reading the specifications of the D4, it looks like nothing but a GRAND improvement over the D3s and I simply can’t wait to get my hands on one.  As soon as I run this camera through its paces, I will report back with my observations.  With any luck, I will own one of these before my trip to Africa in March.  Meanwhile, you can read about the D4 over at B& H Photo.  And now, here is the D4 with an estimated price of $6,400 US – OUCH.

Nikon D4

 

Happy Holidays to All

I’m going to be taking a couple of weeks off, so no (or limited) posting for the next two weeks unless I sneak a photo or two in.

Meanwhile, some exciting news:  I will be leading a photo safari for the Smithsonian into Tanzania next December.  This will be an exciting adventure and will put me in the bush for Christmas for the first time.  You can read about December Smithsonian Photo Safari here.

On each safari, I always learn  from things that did not go as planned.  All of the items below have funny stories,  for the most part,  to go with each entry.  Just let your mind wonder and I am sure you can conjure up images to go along with tag lines.  If you are on a future safari with me, be sure to ask about any of these.

  1. When your taxi driver does not speak English, Swahili, or Arabic and you do not speak Hindi, there is a very good chance that you will not arrive at your desired destination without of lots of effort (rush).  No, I’m NOT going to learn Hindi (Dubai).
  2. Dropping your Nikon 14-24mm lens on asphalt in the middle of the night….yes, the open bag hot air syndrome again…Ouch.  Bounce went the Nikon and off to Melville for repairs upon my return (Dubai).
  3. Letting the driver put your camera gear in the back of the bus (should always go on your lap).  The transfer drivers always want to be most helpful however, lots of bags moving around in the dark of night made for unnecessary risks (Kenya).
  4. Hyperdrive transfer with the new Delkin 16GB COMBAT Drive (could not read the CF card) – needs a firmware fix. Lexar cardreader could read the card.
  5. One day delay from United caused us to miss several planned photographic opportunities in Dubai.  Better to have a 6 hour overlay and make the connection than to have a two hour overlay and miss an entire day and night of travel.
  6. Moving camera equipment from hotel room to conditions of high humidity and high heat, serious fogging.  Need to allow plenty of time for temp changes between shoots (Dubai).
  7. Do not surrender your camera bag to hotel staff (Dubai, Kenya) ;   they don’t understand your investment.  God gave us shoulders to carry our camera gear.

That’s the very last trip update for this past trip, yes is has taken some time to get to here.  What a great adventure and most importantly, a fun time was had by all with plenty of stories to go around.

 

Cheers and happy photo’ing.

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