Cheers and happy photoing

Sunrise in the Dunes of Namibia

Nikon D300, 17-55mm VR at 38mm, ISO 200, f/10 at 1/100 sec

Cheers and happy photo’ing

The Sands of Namibia

Nikon D300, 17-55 @ 17mm, ISO 200, f10 at 1/160 sec

Deep in the sand dunes of Namibia, I was presented with a rolling light show of highlights and shadows as the sun rose from my left.  With the camera having significantly less dynamic range than the human eye, it is always a challenge to record an image that depicts, as close as possible, the scene as it was seen by the eye.  As many of you know, I am a technical shooter.  Shooting in the deserts of Namibia was truly a personal and technical challenge for me which resulting in pushing my photography skills to a new level.  Amidst a sea of sand, I worked hard to incorporate an artistic approach in many of my images.  I found myself paying a great deal of attention to lines, shapes, highlights and shadows to tell the image story.  Thanks to JP Caponigro and Andy Biggs for pushing me into this artistic journey!

This image is a good example of the use of hyperfocal distance knowledge to achieve the desired zone of focus.    Using hyperfocal tables, I was able to determine that focusing on the sand, 10 ft in front of me, the hyperfocal distance would be 5.37 feet (using f10 and the D300 at 17mm), resulting in a near focus limit of 3.48 feet and a far focus limit of infinity.  After determining these values, I simply reset the focus to 5 feet and shot.  To make all of this easier, I now use an iPod for my hyperfocal distance calculations rather than lugging around 10 pages of tables.  Thank you Mr. Apple.

Cheers and happy photo’ing

Windy Ridge - Skeleton Coast

May 2009 – Nikon D300, 17-55 @17mm, ISO 200, f 10 at 1/250 sec

Windy Ridge Sunset, Skeleton Coast, Namibia,  looking toward the ocean.

Red Dunes (Dune 43) of Namib-Naukuft Park, Namibia

Nikon D300, 70-200VR, 95mm @ f9 1/640 sec, -2EV

While shooting in the sand dunes of Namibia, I found myself in an environment that was largely reds and blues.  After looking at the large histogram for general exposure, I always shifted to the RGB histograms for evaluation.  More often than not, I found that I was blowing out the reds.  A simple drop in EV solved the blown channel.  Usually using only a -1/3EV to solve normal exposure problems, I was very surprised by having to drop down into the -2′s for a correct exposure.  While post processing, I was also surprised by the white balance of the camera.  I always shoot in auto WB mode and correct during post processing.  When shooting in extreme conditions, it is not uncommon for me to use either a white balance card or a color checker to help with setting my white balance in post processing.  What surprised be was how far off the color temperature was when I started the post processing.  I am going to attribute this to the high amount of reds from the sand.  The lesson here is to use all of your tools, both in camera and out of camera.  Learn when the in-camera meter is smart, when it is dumb,  and take the necessary actions to get the shot.

Cheers and happy photo’ing